Dramatic play: Bring it on back!
What’s in there?” asks 4-year-old José, pointing
to the cardboard refrigerator box in the corner.
“Let’s have a look,” says Ms. Tremont, opening the side flap.
“It’s empty,” says Emily.
“What’s it for?” asks Arnold.
“Today we’re going to visit the fire station around the corner,” says
Ms. Tremont, “and after that you can use this to make your own fire station.”
“We’ll need a fire truck too,” says Jose.
“Let’s play like we’re putting out a fire,” says Emily.
“Yeah, I’ll be the siren,” says Arnold, cupping his hands to
Recent demands by specific programs and curriculum trends may
find teachers struggling to make time for strategies that have
worked for children in the past. One effective strategy that
is sometimes pushed aside is dramatic play.
Bolstered by research that clearly supports developmentally appropriate
practice in the early childhood classroom, teachers can offer
dramatic play along with the new ideas and trends. It comes down
to a matter of balance.
Research reveals benefits of play
Research is abundant on the positive effect of play on children’s
development. Play is enjoyable for all but often underestimated
for its unique way of positively influencing physical, cognitive,
and psychosocial development.
Developmental psychologists, such as Piaget and Sutton-Smith,
define play as specific behaviors involving divergent thinking.
The imaginary world of play offers children vast opportunities
to learn about themselves, others, and the environment in which
Dramatic play also contributes to children’s development
of values and their ability to become successful, healthy adults.
Through dramatic play, children learn to assert themselves in
a way to build their competence in later adult roles (Elkind
Play in the classroom offers the following benefits:
physical—increase in strength, overall fitness, motor
skill development, health;
cognitive—increase in skills such as problem solving,
perspective taking, creative thinking, planning, organizing,
using language, and overall academic success (Berk 2002);
social and emotional—enhanced development of cooperation,
sharing, and turn taking; less egocentrism; increase in pro-social
values and self-esteem; practice of appropriate social roles.
Smilansky (1968) pioneered the idea of a positive correlation
between children’s sociodramatic play and their success
in school. Her study was one of the first that looked at academic
progress in low socioeconomic children who were tutored in play.
She found children who were unsuccessful with sociodramatic play
tended to have parents with little or no formal education. These
children came from environments where play was discouraged as
being unrealistic. Her research concluded that adults should
value play by providing a context where the play can be supported.
Recent studies have supported the idea of dramatic play as a
way to reduce stress in children’s lives and improve their
ability to think, problem solve, and interact positively with
others. “Research shows that children pushed too soon to
excel at school, on the stage, or sports field show fatigue,
reduced energy, lowered effectiveness in tests, and psychosomatic
illnesses” (Leaf 2007).
Science has shown that early childhood stressors can change the
actual makeup of the brain and lead to a negative, fearful attitude
toward learning and school. Dramatic play is a proven way to
alleviate these harmful effects of stress and replace them with
a positive, constructive, even fun avenue to learning.
By engaging in dramatic play, children are planning, organizing,
solving problems, thinking critically and creatively, and interacting
with others—the same skills needed to excel in classroom
study situations. Self-generated play has tremendous potential
to enhance brain development and increase children’s intelligence
and academic ability.
Singer, Golinkoff, and Hirsh-Pasek (2008) emphasize in their
recent book the educational benefits of play. They explain that
play provides a meaningful context for children to learn concepts
and skills. It makes learning fun and enjoyable. It encourages
children to explore and discover together and on their own and
allows them to extend what they are learning. It encourages children
to experiment and take reasonable risks. It provides opportunities
for collaborative learning with adults and peers, and it allows
for the practice of skills.
Zigler, Singer, and Bishop-Josef (2004) added to these benefits
the importance of play in the foundation of literacy development.
According to the Association for Childhood Education International,
play is a natural behavior related to children’s development.
No adult instruction can take the place of children’s own
activities and experiences through continual play (Isenberg and
Bredekamp (1987) first acknowledges child-initiated, child-directed,
and teacher-supported play as a valuable element of developmentally
appropriate practice. This has recently been supported in guidelines
published by the National Association for the Education of Young
The research gives credence to the many positive results of children’s
involvement in play. Many early childhood programs acknowledge
its value in positively shaping children’s lives. Educators
can’t afford to overlook the health, developmental, and
educational advantages of keeping creative play in the early
Bringing back an environment conducive to play
Once we realize the value of play, we can provide ample time
for play and create a physical environment conducive to it.
How can we do that?
Safety. Rogers and Sawyers (1988) remind us that the environment
should be safe but without unreasonable physical and verbal restrictions.
At the same time, it need not be sterile or unchanging, which
will limit the children’s involvement (Frost, Wortham,
and Reifel 2005).
of space. To provide adequate space, we need to consider
the number of children, their ages and developmental levels,
type and range of play themes, materials and equipment available,
and time allotted for play. If space is limited, we can extend
the classroom to the outdoors. Much of the materials and equipment
used indoors can be moved outside.
materials and equipment. Play materials influence
children’s play behavior as well as different forms of
play. Include a variety of materials ranging from fluid (hardest
to control) to more structured (easiest to control) to account
for individual abilities and learning styles. Offer a wide variety
of toys to provide sensory stimulus and feedback.
To encourage sociodramatic play, provide large, moveable materials,
such as cardboard boxes, telephone line spools, and hollow blocks.
Always select creative and imaginative materials stimulating
Playful atmosphere. We need to establish an environment that
encourages a sense of freedom in children. They need to feel
they have some control over what happens around them.
Rogers and Sawyers (1988) found that giving appropriate choices
to children can achieve this playful atmosphere. When children
are allowed to make these decisions, they experience the freedom
and intrinsic motivation associated with play and leisure. To
promote play, we as teachers need to limit our direction and
intrusion to assure children the opportunity to assert themselves
and avoid a feeling of vulnerability.
To ensure a positive social environment, we need to make sure
that children have had adequate experiences to be able to play.
We can broaden their base of experiences (Isenberg and Quinsenberry
1988) through field trips, classic literature, and quality television
and other media.
Use of themes in the classroom requires that children be fairly
familiar with the theme. If the theme is community helpers, for
example, children need to have some familiarity with firefighters,
police officers, and mail carriers. Otherwise, children may experience
frustration. We need to make sure children are exposed to a variety
of stimuli that familiarizes them with a given theme.
Aguilar (1985) suggests three other major areas of the social
environment to consider. These are 1) significant others, 2)
community institutions and organizations, and 3) inventions and
Significant others include family members, friends, teachers,
and others in a child’s daily experiences. They can affect
play by modeling playfulness, giving children a sense of freedom,
and giving children opportunities to express themselves in their
own unique way.
Community resources include schools, health clinics, libraries,
nature and amusement parks, museums, and movie theaters. Parks,
for example, provide opportunities for picnics, swimming, hiking,
feeding ducks, biking, canoeing, and sports activities such as
soccer. Park rules that put excessive restrictions on children
can inhibit play and creativity.
Inventions and creations are attempts to amuse the society in
general. Computers and video games are prime examples. The most
successful inventions for children are those that allow manipulation,
challenge, and variety (Aguilar 1985).
Aguilar also gives some interesting recommendations for creating
a playful atmosphere. She suggests the following:
providing outlets for self-expression,
encouraging children to “play with” ideas,
offering risks and challenges,
incorporating the arts,
encouraging and demonstrating good humor, and
allowing for fantasy and imaginative behaviors.
All these suggestions increase the chance that children will
respond in a positive way. Once children see their ideas are
valued as part of the class, they are more likely to engage in
Rogers and Sawyers (1988) also provide suggestions for creating
an environment supportive of sociodramatic play. These include
being supportive (not forceful) of pretend play,
turning control of the play over to children,
resisting a temptation to direct play,
acting playful, and
constantly encouraging children’s involvement.
While realizing our responsibility to create a positive, playful
social environment, we also need to address barriers to this
process. Some barriers are the inflexibility of rules, norms,
and social expectations (Aguilar 1985).
Propaganda and advertisements, in particular, have their own
way of forcing a social control upon all adults and children
alike. TV commercials featuring a fashion doll, for example,
may influence children’s ideas about the kinds of dolls
they should be playing with.
When we feel that we are under the constant scrutiny of the social
environment, we are less likely to “let loose and play.” We
all have a need for social approval, but we need to balance it
with a commitment to create a positive, fun atmosphere where
children are willing to take chances and try new challenges through
play (Aguilar 1985).
Creating prop boxes
Which materials are best for encouraging sociodramatic play?
Myhre (1993) recommends thematic prop boxes. As the name suggests,
these boxes contain all the props needed for a particular theme.
See sample prop boxes at left.
When creating dramatic play boxes and planning their use, consider
Build around thematic units.
Collect inexpensive play materials.
Use realistic props for toddlers and younger children.
Designate a specific play area in the classroom.
Allow adequate time for play experiences.
Encourage children to be creative with play themes.
Add literacy/print experiences to every play box.
Add items to promote character development and pro-social behaviors.
Rotate prop boxes to align with curriculum objectives or in
response to the children’s interests.
Assessing your dramatic play area
After setting up a dramatic play center in your classroom, use
the questions below to evaluate the materials:
Does the play center incorporate a variety of materials that
will encourage dramatic play of young children?
Does the play center include materials that will stimulate
literacy activities (reading, writing, speaking, listening)?
Does the play center include teacher-made as well as commercial
Are materials available that promote creativity and flexibility
Are the materials developmentally appropriate for young children?
Are play props conducive to a thematic unit? Is there a theme
to your play center?
Does the play center reinforce physical, cognitive, and social
skills appropriate for the age and developmental level?
Do the materials reflect a diversity of cultures and abilities?
Once your dramatic play area is in use, consider the following
questions to assess the quality of children’s play:
Are children actively involved in play themes?
Do projects stem from natural encounters with play materials?
Are children engaged in high levels of social play—specifically,
Does the center area account for various skill differences
and individual learning preferences?
Are children supported in problem-solving activities?
Does the center encourage positive attitudes toward both sexes,
even when children assume nontraditional roles?
Balance new ideas without sacrificing time-tested play
Today experts agree that play is beneficial to children and their
overall healthy development.
The secret to keeping the balance in developmentally appropriate
practices involves adjusting our curriculum to new trends and
research suggestions without sacrificing the benefits of current
practices that have proved beneficial for young children time
and time again.
Berk, L. 2002. , 4th Ed. Boston:
Allyn & Bacon.
Burns, S. M., and C. J. Brainerd. 1979. Effects of constructive
and dramatic play on perspective taking in very young children.
Bredekamp, S. 1987. Washington, D.C.: National Association
for the Education of Young Children.
Elkind, D. 1981. Reading, Mass.: Addison-Wesley Publishing Company.
Frost, J. L., S.C. Wortham, and S. Reifel. 2005. 2nd Ed. Upper Saddle River, N.J.: Prentice Hall.
Isenberg, J., and N. Quisenberry. 1988. A position paper. Olney, Md.: Association for Childhood
Leaf, C. 2007. Johannesburg: Switch
on Your Brain, Inc., p. 88.
Myhre, S.M. 1993. Enhancing your dramatic-play area through the
use of prop boxes. 48(5): 6-11.
National Association for the Education of Young Children. 2006.
Guidelines for decisions about developmentally appropriate practice.
Rogers, C. S., and J.K. Sawyers. 1988. Washington, D.C.: National Association for the Education of Young
Singer, D., R.M. Golinkoff, and K. Hirsh-Pasek (Eds.). 2008.
New York: Oxford University
Smilansky, S. 1968. New York: Wiley.
Zigler, E., D. Singer, and S. Bishop-Josef. 2004. Washington, D.C.: Zero to Three.
About the author
Tammy R. Benson, Ed D. is an associate professor at the University
of Central Arkansas. Tammy teaches early childhood education
and reading classes. Her research interests include play, emergent
literacy, and assessment.